歌厅

In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

《歌厅电影》BD高清免费在线观看

该片通过一个女主人公在生命最后时光的探索，让我们重新审视生命的意义和价值。

歌厅 在线播放

张钧甯在这部电影中表现出色，她饰演的乔文娜，既有优雅的实力，又有失去家人的痛苦。

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男主和女主的演技不得不说是真的好。不过有些地方太假了。受伤妆化的不太好。直接可以看出是假的。单凭女主的颜值和演技撑了起来，情节还蛮好的。是我比较喜欢的一部剧。

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最早接触济公应该是书本，爷爷木箱子里有一本泛黄的《济公传》，闲来无事翻阅一二，初看时还记得字都认不全，印象颇浅，唯独记下济公二字。知道那是本书的主人公。不知道什么时候接触到电视剧，也就是那个时候对于济公有了比较清晰的认知：一位衣衫不整，整日里鸡鸭鱼肉，也从不念经的另类和尚，有着那个时代最普通最善良的心，去普渡大众，拯救普通老百姓于水火之中的下凡金佛。回头再看书本上的济公，法力更加高强，每每看到施法拯救百姓之时，便觉得大快人心，忍不住拍手称赞。无论书本上还是电视剧上，