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Sufjan Stevens is proud to present The BQE, a cinematic suite inspired by the Brooklyn-Queens Expressway and the Hula-Hoop. Commissioned by Brooklyn Academy of Music (BAM), The BQE was originally performed in the Howard Gilman Opera House in celebration of the 25th anniversary Next Wave Festival in October of 2007. The Brooklyn-Queens Expressway is an incidental 12.7 miles of urban roadway built over the course of several decades (1939-1964), spear-headed by the master architect Robert Moses to accommodate for the increase of commercial and commuter traffic in New York City's outer boroughs. The roadway was a painstaking piecemeal project, poorly planned, badly built, and relentlessly encumbered by the obvious obstacles of the era: red tape, neighborhood protests, World War II, and a congested borough whose sequestering layout proved ill-fitting for the automobile. The resulting expressway-a pockmarked, serpentine, congested BQE-has become one of Brooklyn's most notable icons of urban blight. And, for Sufjan Stevens, an object of unmitigated inspiration. The official album release of The BQE follows nearly two years after its original performance at BAM, providing the songwriter (and his various collaborators) ample time to wrestle out all the thematic incarnations of the project, and to attempt an appropriation of Wagner's Gesamtkunstwerk ("total work"). The resulting album might be best described as a grand creative franchise-incorporating movie, symphony, comic book, dissertation, photography, graphic design, and a 3-D Viewmaster® reel-in which a songwriter's interrogation of one of New York's ugliest landmarks expands athletically to forums and formulas outside of the song itself. In fact, the BQE is everything but a song. First and foremost, The BQE is a self-made home-movie documentation, exhibiting how all the architectural colors of Brooklyn and Queens are fabulously intersected by this ramshackle artery of highway traffic. Shot renegade style on do-it-yourself film cameras, the animated footage of grid-lock crisscrossing the brick and mortar of Brooklyn flickers and cascades Koyaanisqatsi-style on three simultaneous screens. The 16mm cinematography (heroically shot by Reuben Kleiner on a 1960s Bolex) utilizes time-lapse photography, in-camera editing, slow motion, and post-production mirror effects to transform urban blight into a splendor of graphic compositions. The BQE is also accompanied by an idiosyncratic musical soundtrack (composed by Stevens for band and chamber orchestra), evoking a romanticized musical choreography of perpetual motion vs. gridlock. Borrowing variously from Gershwin, Terry Riley, Charles Ives, and Autechre (to name a few), the music showcases skittish woodwinds wrestling out impressionist articulation (in 7/8) and imperial brass anthems evoking various incarnations of the music of the automobile. Further Information: The BQE is available as a double-disc format (CD/DVD), which includes the original 16mm/8mm film (in widescreen "triptych" display), the original motion picture soundtrack, a 40-page booklet (with extensive liner notes and photographs), and the stereoscopic image reel

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“不会飞的猪是只没用的猪。”这么有魅力的猪应该很难让人不喜欢吧。吉娜和菲尔不过是众多优秀女人的典型代表。一个年轻漂亮有活力，一个成熟迷人有智慧，哈哈，不要说让猪选了，就连女人们自己也不知道该选哪一个吧。其实卡地亚也是个很可爱的家伙~杯具的是碰到了红猪这么强劲的对手，哈哈。其实我很想知道，如果给他那个吻的是吉娜，红猪是不是应该也会被解除身上的魔咒呢？对于一个向往自由、不愿被束缚的灵魂，爱上这样的灵魂是幸福，也是不幸。就像血色浪漫里的刘烨，燃情岁月里的布拉德皮特。也许，总会有个聪明善良的小姑娘能够捕获他一颗流浪的心。至于故事的其他主角，只要坚持寻找，也一定能够找到一个能够被自己捕获的心！

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《故事发生在美丽的诺斯特拉达姆斯邻镇，努斯特拉达马斯留下了一个神秘的预言。在和并列的年份，天上会降下两道光芒。一道是黑暗之光，另一道是小小的白光。黑暗之光拥有强大的力量，会扰乱和平，给世界带来巨大的混乱。而新之助，这个充满好奇心的孩子，被黑暗之光击中，意外获得了超能力。他可以使用意念操纵物体，让玩具漂浮，甚至让它们飞起来。然而，他的新能力也带来了不少麻烦。他被黑暗之光击中，身体充满不可思议的力量，甚至屁股都热乎乎的。与此同时，黑暗的非理谷充，因为得不到世界的认可，决定复仇。他是一个工作不顺利，推偶像结婚，被误认为是暴行犯而被警察追赶的人。而当新之助面对他的光芒时，一场超能力大决战即将拉开帷幕！

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该剧是一部讲述缉毒队感情的分道扬镳与殊死搏斗的警匪题材电影。故事讲述了在一组感情很好的缉毒队队员中，在一次失败的行动后，他们分道扬镳，成为了彼此的敌人。而后，为了缉拿毒枭，他们展开了殊死搏斗。这部电影充分展现了团队合作、忠诚和牺牲的主题，让观众在紧张刺激的情节中感受到了人性的复杂和伟大。